Continuing with the new painting

Here are the next few stages of the new painting. Added another layer of paint to the center and right hand cow, the latter has also had its head enlarged from before

The pic below shows some texture added to the sky and grass, more definition on the cows, the right hand bovine head being enlarged a little more and some hills and trees indicated in the background.

In the 3rd photo, the sky has been blended and some clouds added. This was accomplished with interactive acrylic: The paint was applied and kept moist by spraying with water to allow the blue sky to be readily blended. Once fully dry the clouds were painted on and immediately sprayed with water and allowed to run a little to give a wispy effect. All three bulls have had their horns added and become more defined and some splashes of blue have been included on the right hand animal.

First few brush strokes new painting on the way

Following on from the preliminary sketches posted recently, here are the first few brush strokes, laying out the position of the cows in blue acrylic.

Second stage, blocking in the cows, also moved all but the left hand one over to the right a little

And now blocking in the grass and sky

You may notice some iridescence from the canvas in the photos which is due to the canvas being painted with interference acrylic.

Changing Weather Iridescent painting of cows lying down on Dartmoor

Here's the finished painting (as posted last time) viewed under normal lighting conditions. Notice that the sun seems to be shining on the distant hills on the left.

In the next picture (below) the the painting is viewed from a different angle and the distant hills are now duller as if the weather has changed to cloudy conditions. This effect is a direct result of the interference acrylics that were used on the hills.

 The photo below shows the painting under dimmer lighting conditions. Even though the sky and background hills were over-painted with interference blue these particular lighting conditions result in the complementary interference color showing up, in this case (interference blue painted over these particular colors) the result is a coppery / reddish brown. This gives the effect of "sunshine and showers" over the distant hills i.e. it is as if the sun is shining as the rain streams down over the hills (weather conditions commonly seen on Dartmoor the setting of the painting).

 

In the fourth photo shown below, the painting is shown again, but this time in even lower lighting conditions. The sky and distant hills have now taken on a misty, luminous appearance while some of the interference blue is starting to glow thereby illuminating the foreground cow.

 

The picture below shows the effects obtained by viewing the painting in very low lighting conditions. Now the hills are nearly consumed by the luminous blue while parts of the foreground heather are also illuminated giving an eery night-time feel to the image.

Finally here's the painting once again shown under normal lighting conditions. The combination of 3 types of acrylic i.e. conventional under-painting that is then over-painted with alternating layers of interactive and interference acrylics allows subtle, changeable iridescent effects to be produced. These can either be well controlled and quite deliberate (e.g. the sky and distant hills) or more random and left to chance (e.g. the changing color of the cow and heather in the foreground). I plan on experimenting further with this technique in future work.

 

Step 3 of New Painting on the way Cows lying down on Dartmoor

 

Here are the next couple of stages of the paintings. Above you can see that the cows are still in their metallic blue phase but some modifications have been made to the background hills. The right and left hand thirds of the hill-scape have been coated in a thin layer of interference blue while the middle section is now coated in interference yellow (the latter being created by mixing some cadmium yellow with some pearlescent tinting medium).

Once dry the trees and hedgerows were added in a loose style. In the second pic (below) I've started to "knock back" the shimmer from the interference blue on the cows by over-painting the cows with interactive acrylic.

When applying the paint at this stage I'm just painting as I would normally, regardless of the fact there is interference acrylic beneath. When the painting is finished I want any interference blue that shows through to be serendipitous in nature and not look "planned".

At this stage I also notice that the cow on the right is somewhat out of shape and resembling one of those creatures Anakin rode in Attack of the Clones. Some bovine surgery will be required very soon!

 

Step 2: Cows lying down on Dartmoor

The plan with this work is to alternate layers of acrylic with layers of interference color. In this photo you can see that the cows have now been over-painted with interference blue as has the sky and distant hills. The moorland in the mid and foreground has been painted with interference copper & violet, respectively. Although it appears that most of the previous layer has been obliterated there is actually a mixture of areas where only the metallic colour shows and areas where some of the under painting is showing through
As the painting progresses the intention is to make the layers of interference color progressively more transparent...but we'll see how it goes!

New Painting on the way / Cows lying down on Dartmoor

Here are the beginnings of a new painting, some Dexter cattle lying down among the heather and gorse of Dartmoor. I've enjoyed painting these cows before, their dark hides lend themselves to the inclusion of plenty of blue where the light catches them. They also contrast well with the magenta, green and yellow of the surrounding flora.
My previous paintings "Time For A Nap" and "A Lunch Interrupted" were both small (24"x8") but this time I wanted to work on a larger scale and this canvas, being about 30"x40", is for me near perfect in size as it allows me to use a reasonably large brush and not get caught up in the annoyances of fiddly intricate bits!
This new painting (if it proves successful)also marks the start of what I hope will be the next stage in the development of my artistic technique. I'm combining my normal combination of conventional and interactive acrylics with the iridescent effects that can be achieved with interference acrylics.
The landscape and cows were all painted with a layer of interference acrylic before over painting with acrylic and I'll expand more on the planned technique when I post the next stage.